One of Greg’s latest obsessions is Cartoon Network’s The Amazing World of Gumball. It’s one of those shows that cute and demented at the same time; a well-written and well-drawn batch of silliness that’s fun enough for kids, and twisted enough to lure some 40-something moms and dads (who are still kids themselves) into watching it with them.
This is one of those videos that Greg and I watch over, and over, and over…and we die laughing each and every time. But why? I’ll tell you why. It’s the things hidden in the details.
There’s something a little off about the characters in Gumball, and that’s totally what I dig…that weird, disconcerting, underlying grit that hides just beneath the “cute” crust that greets us.
Take Banana Joe, for instance. Look at those eyes. He’s got that trippy “one-eye-faces-this-way-while-the-other-faces-the-other-way” thing going on, and you’re not sure which to focus on, right? But you focus anyway.
And what’s up with that mouth? Why is it a sickly shade of grey? Is it some kind of stretchy donut? What part of a banana could be associated with that grey thing? None!
Yet, we can probably all relate Banana Joe to someone we knew in our lives; like that weird, nerdy wacky kid in school that nobody really liked, but they liked to hang out with him simply because he was so out there.
Beyond that, though, is what actually happens in the video. Just little twists and turns here and there that catch you off guard. They’re unexpected. Like this part, where it suddenly breaks into a short sequence of him clapping.
Oh sure, it could be just clapping, but what follows is a complete nose-dive downward spiraling descent into utter lunacy. If you thought he looked weird as a singular object, just imagine him splitting himself exponentially into several smaller vignettes, multiplying by the second like those animal cells did on those old Biology class science films.

Ah yes, that lovely anomaly of a mouth now becomes the focal point as you continue to wonder what the heck it is. Meanwhile, the mess in his room begins to crowd around you in unison with a growing chorus of Banana Joe voices, all in various pitches, chanting and singing at the same time.

The screen continues to chop itself into smaller but more obnoxious portions, the volume and chaos building upon itself like demented Duplo blocks. Your eyes begin to go wild as they’re confronted with a myriad of madness, each frame featuring Joe in various states of wackiness. He’s clapping in one, singing in another, and even doing the kickworm in another! Now if that isn’t a subliminal ’80s pop reference to reel in us 40-somethings, then I don’t know what is. But you got me, Cartoon Network.

Before you know it, the screen is completely populated with tiny, bite-sized chunks of craziness that sing, squirm and wiggle like happy maggots in a carcass. By now, the sound is deafening, and, if you were like me the first time around, you’re probably saying to yourself, WTF?! What is up with that darn donut-shaped mouth?! And what the heck is that thing…a…a…banana butt? Is it funny, or nightmarish? It’s almost obscene, but you still can’t resist watching every frame. That’s the magic of it all.

Finally it all comes together in one sickly shattered self-portrait, whose fragmented face has by now become somewhat hypnotic. If you don’t know Banana Joe by now, you’ll never never know him. But wait—we still haven’t arrived at the punch line, which wraps the whole enchilada into one heap of hilarity—Banana Joe’s dad.

By the end of the commercial, you’re probably wondering what kind of people they have working on this cartoon. Man, I wish I were one of them.
Update March 22, 2012: Greg likes Banana Joe so much that I just had to make him a Banana Joe T-shirt. I’d just bought a whole ream of opaque transfer paper, so this was the perfect time to try it out. I grabbed one of his trashed muscle shirts and stuck him on.

Suh-weet. He was so excited to have one that he made several wacky faces before I finally got him to simply smile for the camera. Crazy kid. Want one for yourself or your kid? Email greg (at) leftylimbo.com.